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- By Andre Kim
- 09 Sep 2026
Esteemed author Paul Bailey, who died in October aged 87, was renowned for his comic brilliance, deep empathy even for the worst personalities in his stories, and a cleverness that avoided being sterile. His fiction frequently delved into the power of memory in shaping lives, propelled by witty, staccato exchanges. In addition to storytelling, he worked as a poet, memoir writer, and additional roles—here is a guide to the books he left behind.
The author appeared as a social being, an excellent talker with a love for lighthearted gossip, according to a fictional persona. Together with companion Beryl Bainbridge used to view Coronation Street and debrief by phone. This pleasure in chatty conversations shines through in his fictional works Trespasses (published in 1970) along with Peter Smart’s Confessions (dating to 1977). Each includes a leading man surrounded by comic, maddening, theatrical individuals, often close relatives whose influence is inescapable. “Why would anyone desire normality?” Ralph’s mum questions in Trespasses when he reveals he is gay. Like an evening with your most clever, daring companion.
Paul Bailey authored excellently regarding elderly life, at both ends of his writing journey. His first book At the Jerusalem (published in 1967) traces the life of Faith Gadny as she adjusts to a care facility, where other occupants offer warmth lacking from staff, whose concern by asking “Why not view the TV, ladies?”. Within his second-last book Chapman’s Odyssey (2011), an aged patient alternates between disputing with medics (“I consume only fine wines”, he affirms when scolded for liver results) and being flooded by memories from his parent, romances, fictional icons including Pip by Dickens and Emma by Austen. The two works contain comic interactions however tinged with impending endings. In his stories, smiles are deceptive. Within At the Jerusalem, “the matron grinned, then ended it abruptly”; Mrs Gadny laughs nervously if her actions are questioned. Within Chapman’s Odyssey, Harry cautions that “my laughter is not genuine”. Readers’ smiles, however, are authentic.
In addition to fiction, Bailey was a skilled autobiographer, issuing two personal accounts. An Immaculate Mistake (from 1990) serves as a classic of recollection, its title derived from his mum’s statement that “You were our mistake. You ought not to be here, by rights.”. (“She was old now, and letting go of her secrets,” he notes. “She understood this would captivate me.”) This book reveals the origins of flawed, caring, annoying mothers and fathers throughout his books. Additionally, it depicts a moving picture of a homosexual young man in the 1940s–50s, during a time of anti-gay laws, and his kin viewed it as suspicious that a son would purchase flowers for his mum; and of a would-be thespian (Paul Bailey performed prior to authoring) who memorized Hamlet at 15. His subsequent life story A Dog’s Life (2004) centers on days with his pet Circe, his previous lover David, his fondness for Romania—which inspired subsequent books such as Kitty and Virgil, Uncle Rudolf, as well as The Prince’s Boy—and heaps of rumors, with a story involving author Iris Murdoch labeling a listener an “idiot”.
Paul Bailey’s books are generally brief—the powerful Old Soldiers (1980) is just over 100 pages—but for something shorter, explore his poems from later years. The two collections the poetry collection Inheritance (2019) along with the title Joie de Vivre (2022) exhibit Bailey’s wit, empathy, precision in brief format. These poems are rich with mortality and existence. Two affectionate topics reappear: regarding his mum (“I feel nearer to you now—/ I must confess—/ than when you lived”) and for his spouse Jeremy Trevathan. Within the poem Amazement, he writes of the joy of viewing “a silly TV show” as a couple, ending with: “It’s awesome, in its way, this act of eating cheese / and drinking wine, as the world keeps darkening.”
It is widely accepted that Bailey’s most ambitious novel remains the novel Gabriel’s Lament, shortlisted for the Booker prize in 1986. (He also judged the prize in 1982, a task he hated.) This was the book the author was most proud of, despite the fact “it exhausted him completely”. It tells the narrative of Gabriel Harvey, with a missing mother while his dad transforms into a intolerable pretentious person after inheriting wealth, with possible connections. It acts as a representation of London in the 1900s, a tale of emotional unraveling, and as funny and sad like his other works. For more, it inspired a subsequent book, Sugar Cane (published in 1993), which the author studied by attending brothels to observe.
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